![]() And Rec2020, which is used to grade films in HDR, has an even wider color range. The P3 color space, which is now industry standard, has a 25% larger gamut than the previous generation: REC709. And beyond the image quality itself, color settings are also superior in the current age. Collectively, this process gives people that restore films significantly more control than ever before over each individual frame of a film. However, now that hard disk drives are big enough to store each frame as a digital file for later retrieval, there is no longer any need to design a process around live output, and each frame is scanned with higher image quality. Without proper maintenance as they aged, the noise introduced could appear artificial and interfere with the image quality. While telecines often produced an acceptable image quality, they introduced video noise which would interfere with the inherent film grain. ![]() A film would be scanned in real time and recorded to video tape. ![]() In the mid-1990s, to scan a film in HD, CRT Telecines were used. The visual tools used to scan and restore the elements of a film have improved dramatically in recent years, producing a higher quality image than the early days of home video. Without being sourced from negatives and other early-generation film elements, the restoration of Ray’s films would not look as good as they do. Though charred, the negatives were preserved and by 2017, the technology finally existed where the films could be safely scanned. Many of the films of Satyajit Ray were damaged in a fire in 1993. The Apu Trilogy provides a great example of why this is so important. The negative is incredibly valuable from both an artistic and intellectual property perspective, and studios and libraries that hold copies of film negatives have an incentive to ensure they are touched as rarely as possible. ![]() ![]() David Mackenzie, owner and CEO of Fidelity in Motion, explained that when preparing a film for broadcast or early days of home video, there would have been no reason to utilize the OCN because consumer products like televisions wouldn’t have had the ability to broadcast the level of detail present. This is far different than the sources used to create television broadcasts, VHS copies, or early DVDs. Ideally, digital restorations will be sourced from the original camera negative, the film element which will have the greatest possible amount of detail. ![]()
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